The pianist pianist has the best piano ever, and yet the average black musician earns less than the average white musician, according to a report by the Association for Research in Music (ARMM) and the Atlantic Philharmonic Orchestra.
Black musicians make up less than one-fifth of the world’s musicians, but they are one of the highest paid, with a median salary of $1.6 million, according the report.
The average black artist makes more than a musician of the same age or background, but the median black musician makes less than that of a white musician.
Black and white musicians are not the only ones who have been disadvantaged by their musical skills.
The report also found that black musicians are less likely to perform at top levels in the arts and humanities than white musicians, and they are less successful in the academy, which is where many of the top performing musicians are from.
The researchers said that while the disparity in earnings between black and white composers is significant, the extent to which it was true varied across different fields.
While black composers are significantly more likely to have performed at the highest levels of the music industry, they are also more likely than white composists to be performing in smaller venues, the report said.
The study also found black composer performances at the top levels of jazz were often low-profile, making them less accessible to audiences, the authors said.
For instance, the American Jazz Festival, a major US jazz festival, had only one black jazz pianists in 2012, according a 2015 report by The Atlantic.
And while the majority of the jazz musicians playing at the festival were African American, they had no black artists at the head of the orchestra.
This is despite the fact that jazz musicians are often judged by their ability to play at the lowest levels of music.
The majority of African Americans have never played in the classical music world, with the largest proportion of African American musicians at the classical piano in the US, according data from the National Music Archive.
In 2013, the US census recorded that there were about 2.3 million African Americans playing the piano.
The Atlantic report found that jazz musician performances at major venues, such as Carnegie Hall and New York’s Madison Square Garden, were usually low-key.
In the 1970s, African American jazz musicians performed in more prestigious venues, but that trend has since been reversed.
Black composers have been among the most successful composers in recent decades, earning more than $5 million annually.
The authors noted that African Americans were more likely, even at the lower levels of their profession, to perform in large venues.
While there are many musicians in the African American music industry that are performing in small venues, most are not making much money, the researchers said.
The most popular musicians performing at small venues are not performing at the same level of performance as the top black composists, they said.
There are also other reasons that black composing is not as popular as it could be, the study found.
For one, black musicians tend to rely on their African Americanness to connect with audiences.
“The black musician may be a very self-conscious person, as they are often very introverted, and so they tend to be more self-involved and more self in that sense,” the authors wrote.
The African American musician, on the other hand, is much more likely and open to interacting with other musicians and audiences.
African Americans have also historically been a vocal minority in the music business.
“I think there is an expectation that African American artists are very conscious of their social position in the industry,” said Michael Schoenfeld, a composer and professor at the University of Southern California.
“It’s a lot easier to find a place for African Americans in the business than it is for white people, and it’s not that there is any cultural or racial barrier that prevents them from performing in the best possible venues.
It’s just the industry is very conscious that black artists are a part of the fabric of the business and that African-Americans are part of its history and its culture,” he said.
“If there is a place that they can perform, they will perform.”
Read more:Black jazz pianism is undervalued: the Atlantic report